SHOPPE BLACK

100 Foot Stevie Wonder Mural Completed in Downtown Detroit

1 min read

A monumental mural of Stevie Wonder can now be seen outside the Music Hall Center for the Performing Arts downtown Detroit.

Stevie Wonder mural 
Photo: Steve Neavling

The mural was painted by London-based artist Richard Wilson and is based on the iconic photograph by Douglas Kirkland.

Wilson started the project on Wonder’s 69th birthday in May but work was delayed due to weather conditions.

 

stevie wonder mural
(Photo: Ryan Patrick Hooper)

 

We’re glad its finally done! A fitting tribute to a music legend.

Jaden Smith Launches a Free Vegan Food Truck To Feed LA’s Homeless

1 min read

Jaden Smith has launched a vegan food truck that serves free food to people on Skid Row, an area of LA that contains one of the United States’ largest homeless populations.

https://www.instagram.com/p/BzopIZ4AcML/

He made the announcement yesterday via Instagram.

https://www.instagram.com/p/BzopDsuAFS4/

The rapper and actor is also co-founder of the eco-friendly company JUST Water.

vegan food truck

The company has also recently partnered with a local Flint, Michigan church to deploy a mobile water treatment system that filters out lead and additional contaminants in water.

Black Owned Restaurant Partners with Walmart to create over 30 Jobs

2 mins read

Cornbread is a unique Black owned restaurant that is creating jobs and a space where traditional soul food dishes are prepared using ingredients that are free of steroids and hormones.

Recently, the restaurant announced that they are working with Walmart to expand into three Walmart stores in Pittsburgh, Pennsylvania. All three restaurant locations will open this year with the inaugural location set to open on July 5th.

Black Owned Restaurant

Cornbread’s mission is to passionately invest in its employees and in the communities where it does business. The inaugural location, in a leased space at Walmart, is expected to create approximately 35 new job opportunities.

Black Owned Restaurant

“This expansion is the culmination of two years of hard work by my co-founder, Zadie, and our amazing team. Cornbread was born out of a vision and belief that we could create a space where friends and family can enjoy soul food that is also healthy and where we invest in our employees. We also wanted to ensure that our food was accessible, which is why this collaboration with Walmart is so important,” explained Adenah Bayoh, co-founder of Cornbread.

“When I began my journey as a restaurateur, I was turned down by seven banks before I was able to secure the financing I needed to purchase my first restaurant. Now, 13 years later, my own signature soul food restaurant is expanding outside of New Jersey with the support of the largest retailer in the country.”

Adenah Bayoh and Elzadie “Zadie” Smith are the co-founders of the restaurant

Cornbread’s menu and flavor profiles were crafted by Zadie B. Smith, a native of Georgia with life-long culinary experience. Adenah Bayoh is a restaurateur who opened her first restaurant at age 29.

 

To learn more about Cornbread, please visit www.cornbreadsoul.com.


-Tony Oluwatoyin Lawson (IG@thebusyafrican) and Guest contributor Vernon Williams

Meet the Black Woman who owns the only Pro Women’s sports team in St. Louis

3 mins read
There are very few women owned sports teams. There are even less sports teams owned by a young Black woman. Khalia Collier, owner and general manager of the St. Louis Surge, is doing her part to change that.

What inspired your decision to own a sports franchise?

 The opportunity to create something in my city I know I never had the opportunity to experience as a kid. To show and prove that a women’s franchise is not only viable but sustainable in the market. I have been able to do by taking a different approach by how we recruit, market and build our fan base.
Black Woman
 

What is the most rewarding and most challenging thing about owing basketball team?

 The most rewarding by far is seeing the look on kids faces when they experience a game and see what’s possible, not just by seeing players on the court but by seeing black leadership especially strong women pursuing their dreams on and off the court.
To build a brand from scratch takes a lot of hard work and just pure determination and to see your hard work pay off each season is one of the best feelings in the world, winning championships is just the cherry on top.
The most challenging think about owning a basketball team is constantly educating and validating the product to gain the earned exposure and sponsorship needed to grow the franchise.
Fighting an uphill battle can be exhausted and sometimes it is incredibly frustrating to convince big brands and media to not just focus on what is perceived to be mainstream, but then I smile and say that is my job, the job that I love!
Once we get you in the stands or expose to the Surge brand we have now earned yet another fan that understands what we are building beyond just the game.
Black Woman

What do you feel your responsibility is as a woman the male-dominated world of sports team ownership?

 My responsibility as a woman is to create more opportunities for women that look like me not just providing a platform for professional athletes but leadership and front office positions. Once the door is open it is my responsibility to leave it open for all of the incredible women willing and prepared to work hard to achieve their dreams.

Where do you see the team in 5 years?

 By 2024 we will have been growing for over a decade as an established brand, entertainment attraction in the city, but more importantly, we will have grown our community of fans exponentially who are committed to positive energy.
Going from location, to national to global impacting women’s sports in such a way it is hard to not take notice and want to be a part of something bigger than yourself.

-Tony Oluwatoyin Lawson (Instagram @thebusyafrican)

This Black Real Estate Developer is Launching a $500 Million fund for Minority Developers

1 min read

Roy Donahue “Don” Peebles is the Founder, Chairman and Chief Executive Officer of the Peebles Corporation, the largest Black owned real estate development and ownership company in the US, with a multibillion-dollar development portfolio of luxury hotels, high-rise residential and commercial properties.

Black Real Estate Developer

He recently announced that his firm will be launching a $500 million investment fund for 60 deals that involve minority and women developers in cities where the firm operates, including New York, Los Angeles, Washington D.C., and Philadelphia.

In addition to supplying capital, Peebles said his company will look at ways to support the emerging developers. Through co-developing or partnerships, he hopes the fund will “help mitigate risk and help them grow quicker.”

The fund will focus on a variety of commercial and multifamily projects, with an emphasis on projects that range between $10 to $70 million.that offer affordable housing

“The idea is to create this business model that shows that investing in emerging developers and investing in diversity will result in higher returns with less risk,” Peebles added.

“It’s a very positive thing to have the developments that are taking place in communities of color, to have the projects be developed by people of color,” Peebles said. “We see this as a win-win and an untapped market.”

We previously listed Don Peebles on our list of Top 24 Black Real Estate Businesses and Professionals.

 

-Tony Oluwatoyin Lawson (IG @thebusyafrican)

 

Sisters’ Furlough Cheesecakes Will Soon Be Sold In Walmart

4 mins read

It was back in January when sisters Nikki Howard and Jaqui Wright found themselves furloughed and without income during the partial government shutdown.

Howard worked in human resources at the Food and Drug Administration, while Wright worked as an analyst for the Department of Justice.

“We had bills due and no paychecks coming in, including college tuition,” Wright said. “So we had to think fast.”

They quickly whipped up a plan to bring in extra income by selling homemade cheesecake.

“We took half a day to plan, and the rest is history,” Howard said.

Five months later, a lot has changed for the sisters behind ‘The Furlough Cheesecake’. Their story began to go viral shortly after ABC 7 first interviewed the pair in January. Then came an appearance on The Ellen Show, followed by online orders from all over the country.

“Almost instantly, we had thousands of orders,” said Wright. “I was trying to think how we were going to make a hundred, and then we got requests for thousands.”

The company grew so quickly, Howard and Wright were soon able to quit their jobs at the federal government. Not long after that, they started renting industrial kitchen space so they’d have more room to work and fill orders.

And now – their cheesecakes will soon be for sale at Walmart.

“We’re so very excited we’re able to share a little slice of smile,” said Howard. “Walmart! The Walmart! Our cheesecakes will be there in August!”

Starting August 18, their cheesecakes will hit the shelves of about a hundred Walmart stores throughout the DMV.

“These are small personal size, three inch size, not our full-size cheesecakes,” Wright said. “So those who’ve been asking for individual serving sizes, you can go to Walmart and get that.”

Their cheesecakes are also now featured on the menu at the Bethesda Blues and Jazz Club.

“I mean, if we had to write the story, I don’t think I have this much imagination,” Howard said. “We just went for it. And the blessing is, we had each other.”

Looking back, the sisters say there are a lot of parallels between perfecting a recipe and building a business. They say they’ve certainly learned some lessons along the way.

“When you’re building a recipe, you have to try some things and maybe it doesn’t work quite the way you wanted it, so then you tweak it and perfect it until it’s just right,” Howard said. “And with your business, there are times things don’t go exactly the way you want them to go. But, make a few tweaks and keep going. You learn!”

On Tuesday, they thanked friends, family members, and even strangers throughout the DMV, who supported their business along the way.

As for the name of their company, Howard and Wright say, “The Furlough Cheesecake” is here to stay.

“Because it means something,” Wright said. “You know, we were furloughed, but now we’re in control of our destiny. So we couldn’t let go of the name.”

 

Source: WJLA

How a Black Psychiatrist Shaped “Sesame Street” As a Tool Against Racism

2 mins read

Sesame Street is celebrating its 50th anniversary this year. The rush of stories and social posts about the iconic children’s TV show has inspired numerous stories about Muppets and cast members.

Few, however, noted the role of Dr. Chester Pierce, a Black psychiatrist and Harvard Medical School professor who was instrumental to the show’s early development and vision.

Black Psychiatrist
Dr. Chester Pierce

In 1969, Pierce signed up to be a senior adviser to Sesame Street creators Joan Ganz Cooney and Lloyd Morrisett. The founding president of the Black Psychiatrists of America, Pierce blamed television for furthering racist tropes, but also saw the medium as an opportunity to break those stereotypes, according to Undark Magazine.

Sesame Street was originally conceived as a show that would bring remedial education into the homes of disadvantaged kids. But Pierce recognized the show’s potential and pushed for it to include a multi-ethnic “neighborhood” with people of color as role models. Amid the assassination of Martin Luther King Jr., and the riots spurred by racial inequity, this vision seemed especially crucial.

Radical for its time, Sesame Street presented an integrated society where everyone was treated with respect. People of color, such as Gordon, the show’s teacher, and his wife, Susan, were authority figures. That reinforcing message was as important as learning the alphabet and numbers.

“Early childhood specialists have a staggering responsibility in producing planetary citizens whose geographic and intellectual provinces are as limitless as their all-embracing humanity,” Pierce said in 1972.

Pierce fought racism his entire life, including as a Harvard undergraduate, when he became the first black student to play in a major college football game at an all-white university south of the Mason-Dixon Line, at the University of Virginia.

Pierce died in 2016, but his spirit of inclusion lives on in the most successful children’s show of all time.
Source: Mother Jones

Black Grocery Coop Celebrates 10 Years and an Expansion

3 mins read

Mandela Grocery is a Black Grocery coop that’s on a mission to nourish their neighborhood of West Oakland with healthy food, wellness resources, and collective ownership. Their full-service grocery store sources from entrepreneurs and farmers in California with a focus on black and brown farmers and food makers.

Prior to 2009, residents of West Oakland had to drive or take public transit to get groceries, or else resort to dollar stores and liquor stores for their grocery needs. Some might call it a food desert.

The Crew

Mandela Grocery calls it a site of “food apartheid” — that is, a place where systemic racism has shaped the neighborhood’s lack of access to fresh food.

Black Grocery Coop

Now, the worker-owned grocery store is celebrating its 10th anniversary. The anniversary comes at a time when the co-op is undergoing a lot of exciting change.

The market was recently renovated and got a brand-new logo. And since long-term subletter Zella’s Soulful Kitchen moved, Mandela Grocery has taken over the space’s commercial kitchen, called The Co-op Kitchen.

Black Grocery Coop

It offers a selection of grab-and-go sandwiches like turkey cheddar and chickpea salad, plus coffee. Plans are in the works to offer green smoothies, espresso drinks, hot foods like rotisserie chicken, and plenty of plant-based options.

“It feels like a new beginning with all the transition that we’re in,” said Adrionna Fike, one of the co-op’s 10 worker-owners.

The 10-year celebration took place on June 5th. and featured around 15 food vendors and live music.

Booths included healing massage, acupuncture, yoga, herbal medicine, cooking demonstrations, blender-bike smoothies, a women’s refuge trailer, free books, free barbers, and more.

Meanwhile, Mandela Grocery is also helping to spread the model of the worker-owned cooperative grocery store. In order to support new cooperatives, Mandela Grocery will offer training programs in its store for the members of a new grocery cooperative currently known as The East Oakland Grocery Co-op.

Black Grocery Coop

The new cooperative is spearheaded by Aya Jeffers-Fabro of Acta Non Verba, an urban youth farming program in Deep East Oakland. The store will carry produce from Acta Non Verba’s urban farms right in East Oakland. While Fike said the cooperative is still searching for a location, the store is expected to open in fall 2020.

 

Source: EastBayExpress

Feature Image Credit: SF Chronicle

The First Black Owned Piano Manufacturing Business

20 mins read

Warren Shadd is the founder of Shadd Piano, the first Black owned piano manufacturing business. That makes him the first large-scale commercial Black instrument manufacturer, period.

For Shadd, piano making is part of his birthright. His grandparents were musicians: His grandmother was a ragtime pianist in the South in the ’30s, and his grandfather invented (and performed on) a collapsible drum set. (He never patented it, a lesson his grandson learned.) Shadd’s father was himself a piano technician, restorer, builder and performer — as well as a trombonist. And Shadd’s aunt was the NEA Jazz Master pianist and vocalist Shirley Horn. A child prodigy, young Warren made his own concert debut at age 4.

Black Owned Piano Manufacturing Business
Warren Shadd

Shadd Pianos are now in churches and concert venues across the U.S. — including the set of American Idol, where house keyboardist Wayne Linsey will play it on Wednesday night’s episode. On a recent visit to Warren Shadd’s home in a suburb of Washington, D.C. — a home that doubles as the Shadd Piano showroom — he spoke about his life and work.

What sparked your original interest in pianos?

Warren Shadd: My father was the exclusive piano technician for the Howard Theatre, so I would go down there with him four times a week and see James Brown, Count Basie, [Duke] Ellington, Pearl Bailey, Peggy Lee, Art Blakey and the Jazz Messengers … rehearsing. I’d see this all day long, every day. From the time I woke up, there were band rehearsals. Shirley Horn rehearsing in my basement with Billy Hart and Marshall Hawkins … We had pianos everywhere in my house, from the garage to the basement, sometimes even one of the upright pianos sitting in the kitchen, [Laughs.] And musicians would come over to our house after the gig and play all night: Dude Brown, Bernard Sweetney, Steve Novosel, Roberta Flack …

My father would have me do little repairs on the piano. When he went on these piano [repair] jobs, he would take me with him to see what the whole thing was about … and I would never want to go. I just wanted to stay home and play the drums; just wanted to be Warren Shadd the drummer. Except when he said he was going to the Howard Theatre — I was in the car before he got there! I wanted to see all these cats rehearse, see the show … I met Grady Tate when I was about 6 years old, playing with Jimmy Smith, then went full circle and played with Jimmy Smith myself.

As I progressed and learned more about piano technology, I never aspired to; I just knew how to do it. I would say, ‘Piano is what I know, drums is who I am.’ As I went out there and toured with different acts, did a bunch of Broadway shows and got a little tired of the road, I learned how to tune, rebuild and restore pianos. I would take these pianos down to the nuts and bolts and build them back up just for fun, just for a hobby. I would take whole grand or upright pianos apart, build them back up with everything refinished — new strings, new soundboard, new keys, new ivories — for fun. And then my father would sell the piano. [Laughs.] I was about 12, 13 when I started doing this.

Black Owned Piano Manufacturing Business

The record player was always going, from Sonny Stitt’s Low Flame album, to Count Basie, to Buddy Rich, to Miles, to Wilson Pickett, Otis Redding, the James Gang, Iron Butterfly — I had a real potpourri and understanding of all genres of music. While I was doing this piano thing just for the heck of it, I was also performing with a bunch of folks. After I got through high school, I went to Howard University and was in the big band with Wallace Roney, Geri Allen, Gary Thomas, Noble Jolley Sr., Carroll Dashiell and Paul Carr.

When my father passed in 1993, I took over the piano business full tilt, because he had all of these clients for tuning, rebuilding and restoring. He pretty much had Washington, D.C., totally sewn up with all the church pianos. So when I took it over, I already had a client base — it wasn’t like I had to start over fresh. We had all these contracts with churches. Coming in as the second generation of this business was phenomenal for me. Secure from being a musician on tour, it was a built-in job.

As the industry changed a bit, I found that rebuilding pianos was not so much what I really wanted to do financially. I would take these pianos and beautifully restore them … and somebody would say ‘OK, I’ll give you $600 for it…’ [Laughs.] I’m like, ‘Dude, even the new strings I put on this cost four times that much!’ So I kind of migrated out of that restoration business into doing tunings and repair work.

Black Owned Piano Manufacturing Business

I would also exchange parts. I’d take a soundboard out of a Steinway and put it in a Baldwin to see what kind of reaction it would give, understanding the engineering, understanding which side vibrates the most. I’d exchange strings, put on heavier strings, lighter strings, to achieve a certain type of sound. Being a musician, I have an advantage of understanding what musicians want and what they want to hear. If I can compare here — Mr. Steinway doesn’t play piano, Yamaha no, Kawai no, Bosendorfer no, Fazioli a little bit … They are engineers and businessmen; I’m a musician and an engineer and businessman. I have somewhat of a musical advantage. What I’m crafting is a musical instrument and all those different components that go into that, especially the musical parts.

At what point did you decide to actually manufacture pianos?

From churches and especially symphonic tunings, you understood that the piano had a disadvantage in terms of the pianists especially being able to hear themselves play, because in church you’re in total competition with the Hammond B-3 organ or the pipe organ, the drums, the bass, the percussion, the choir and the congregation. They would put microphones in the piano, but they weren’t placed right to give you the most opulent sound of the piano. You would have to totally jack up that sound for the pianist to feel really comfortable. In the symphony, there’d be a floor monitor, but you’re totally surrounded by all these string instruments and you’re still at a disadvantage … and you just play the part.

My first notion was enhancing the volume of the acoustic piano by itself, without any kind of electronics. Even if you add electronics, you’ll have more sound, because the origin of the piano will have more sound, more volume to it without distorting it — which is important, too. There’s a piano on the market that is somewhat loud, but as you play it louder, it has distortion. The soundboard is not made so well that it can take that kind of pounding. My pianos: You can stand on them and you will not get any kind of distortion.

I studied and researched in the library and wrote a dissertation. I went back to some of those old pianos I restored, and I would experiment with the soundboard. I wrote this stuff on sheets of notebook paper and just put it away, didn’t really think that much about it. One day, I was tuning a piano at this old man Mr. Tucker’s house. As I’m tuning his old upright piano, he started whimpering. I said ‘Mr. Tucker, what’s going on?’ He said, ‘It’s all right, Shadd, it’s all right.’ So I go on tuning the piano, then he really starts crying a lot. ‘What’s wrong, Mr. Tucker?’ He said, ‘Shadd, see that piano? See that name on the front of it? That should say Shadd, because you’re the only one!’ I said, ‘OK, Mr. Tucker, I’ve got these ideas, I’m gonna go back and study.’ He pretty much planted the seed.

I went back and blew the dust off of these old ideas that had been sitting in a cabinet, and I started trying to engage some of these parts and put some of these old ideas I had together. And then I said, ‘Why not try to do some of this stuff electronically?’ So I built this prototype piano. It took me two summers and there it is [pointing to a high-tech grand piano in the adjoining room]. I put an audio system in the piano where speakers are right in front of the piano, so the sound would come right to the pianist and the pianist can hear themselves play. And I put speakers under the piano and a subwoofer so you can get the full gamut of the piano and control the volume and graphic equalize each section of the piano — bass, alto, tenor and treble — so you could go to each section of the piano and customize it just like that. I went another step and made it MIDI, so you could play all of your electronic synthesizer sounds on the piano.

For educational purposes, I made this piano interactive. I put a computer under the piano and I built this 24″ touchscreen on the front and a 13″ screen on the left and encompassed video cams throughout the piano. So on the other side, interactively, your piano teacher can see you, you can see your piano teacher, they can see our face, torso, left hand, right hand, pedal movement, and teach intelligently anywhere in the world … distance learning right there at the piano.

From that point, you can also have your band on the other screen, so you can even cut tracks with your band live and in real time. You can teach and you can score on your touchscreen as you’re watching that, so it’s like a total workshop right in front of the piano. Now you can compete in a church environment, in a symphonic environment, because now you have the volume right in your face. But even taking it to another level … I have a [piano] bench that has surround sound; it has a subwoofer in it. So now, you don’t only just hear the music; you feel the music, so that every little nuance that you play on the piano down to the triple pianissimo … you feel everything that you’re playing.

From there, I said, ‘Let me go back to the acoustic piano and see how I can apply some of that stuff to these new pianos.’ So I incorporated a lot of the soundboard technology that I invented — and I have patents on all of this technology, unlike my grandfather with the collapsible drum set. I assembled an A team of piano manufacturers around the world and sort of cherry-picked the best of the best. I said I want you to make this … in accordance to my patents and designs.

My first piano, I sold to the Setai Hotel in New York, now called the Langham Place Hotel, and they play jazz there on this piano — seven days a week. I was trying to get a particular piano company to build my pianos. When I called, they said, ‘We’ll build your pianos if you bring us 1,000 signatures of people who would buy your pianos.’ A friend of mine suggested going to the Gospel Workshop of America, the big convention of all the ministers of music and trustees. It happens annually, and I’m thinking at that time all I had was paperwork: I had a provisional patent, but no prototype piano.

How am I going to go there without a piano? Hammond Organ, Yamaha are going to be there, and they’re going to have instruments. So I’m just going to be there selling a piano without a piano? I had these big posters made to put on easels and put all this stuff into an SUV and traveled up to Detroit. I bought a corner booth because people were going to be coming to you on both sides as opposed to being in the middle of a straight line in the exhibit hall. I had these banners made that said, ‘First African-American piano manufacturer.’ I made a video of all the proposed technology. But I still didn’t have a piano. [Laughs.]

I’ve got a lot of family in Detroit, so I got a couple cousins with clipboards to stand outside of my booth to get these signatures — the name of their church, their minister of music’s name, what kind of piano they had in their church, how many pianos would they replace if they were able, and how many would they replace with the Shadd Piano based on the technology you see [in his booth presentation]? I ended up with 864 signatures in four days. I got the rest of them from DC Public Schools.

I had six people across and three deep the whole time. I had no idea there was going to be this much interest. This little church lady with a pillbox hat points up to the poster and says, “You mean, we’ve got a piano!” When she said that, it was like the whole place stopped — it went silent to me, I did not hear a word. At that moment, I knew that this wasn’t about me; this was much bigger than me. I’m thinking I’m a conduit, being the first African-American piano manufacturer, and some would say the first African-American musical instrument maker — we don’t make trumpets, trombones, tubas…

What’s been the reaction of the players to your piano?

It was kind of tough initially to get cats to come out here and play the piano. One cat — after he came out and played the piano and was overwhelmed — said ‘You know, I’ve got to apologize. I didn’t come out at first because I didn’t want to be disappointed!’

How are you going about connecting with piano players?

One player at a time. I call folks, they come over, they play the piano, and they’re wowed. Barry Harris was here three weeks ago and he’s brought some attention to some other folks about this piano. Church musicians are in here all the time now. I do know there’s a responsibility with this, to make the best piano — not one of the best — the best piano, period, in the world, and that’s what I believe I’ve done. As a people, we can’t be parallel; we’ve got to be three times as good. I’m a perfectionist, so every nuance that goes into this piano has to be the very best.

 

Source: NPR

Black Banks That Are Still Operating In 2021

1 min read

The number of Black banks operating in the U.S. fell 54 percent between 2001 and 2016. Many have either been acquired or have simply gone out of business.

We’ve compiled the most recent and up to date list of the banks that are still Black owned and managed and are still operating in 2021.

Black Banks

Alamerica Bank (Birmingham, AL)

Broadway Federal Bank  (Los Angeles, CA)

Carver Federal Savings Bank (New York, NY)

Carver State Bank (Savannah, GA)

Citizens Trust Bank (Atlanta, GA)

black banks
Citizens Trust Bank

Citizen Trust Bank (Birmingham, AL)

Citizens Bank (Nashville, TN)

Columbia Savings and Loan (Milwaukee, WI)

City National Bank (Newark, NJ)

Commonwealth National Bank (Mobile, AL)

First Independence Bank (Detroit, MI)

The Harbor Bank (Baltimore, MD)

GN Bank (Chicago, IL)

Industrial Bank (Washington D.C.)

black banks
Industrial Bank

Liberty Bank (New Orleans, LA)

Liberty Bank (Baton Rouge, LA)

Liberty Bank (Kansas City, MO)

Liberty Bank (Chicago, IL)

Liberty Bank (Jackson, MS)

Mechanics & Farmers Bank (Durham, NC)

OneUnited Bank (Miami, FL)

OneUnited Bank (Boston, MA)

United Bank of Philadelphia (Philadelphia, PA)

Unity National Bank (Houston, TX)

 

Tony O. Lawson


Subscribe and Follow SHOPPE BLACK on Facebook, Instagram Twitter

 

1 74 75 76 77 78 126