SHOPPE BLACK

Black Chefs You Should Know About

3 mins read

Although the number of Black chefs is increasing, there’s still plenty of progress to be made in terms of representation in the culinary industry.

We’d like to take a moment to shout out some chefs who are doing their thing nationally and internationally, paving the way for the next generation of culinary masters.

Black Chefs You Should Know About

Joseph ‘JJ’ Johnson is an award-winning chef at The Cecil and Minton’s

Chef Tunde Wey uses the food of his native Nigeria to start conversations about America and race.

Jamila Crawford Pécou is a celebrated vegan chef with over 15 years of experience. Vegans and non-vegans alike enjoy her unique and delicious twist on healthy eating.

Chef Marvin Woods is recognized for his take on food rooted in northern Africa, South America, the Caribbean, and the United States Low Country.

Bryant Terry is a vegan eco-chef, food justice activist, and author.

Chef David Destinoble promotes the natural beauty of Haitian cuisine shows the youth of Haiti that a career as a chef is obtainable.

Stacey Dougan is a raw and vegan Chef on a mission to heal the world with deliciously, satisfying, tasty plant based foods.

Chef Ahki, CEO of Delicious Indigenous Foods is a celebrity chef, natural foods activist, and nutritional counselor.

Chef Krystal provides a wide selection of delicious vegan meal options inspired by cuisines throughout the world.

Chef Nina Gross has taken what she has learned along the years and added her twist by bringing it from the kitchen to your home, dinner parties and luxurious events.

Chef Marc Lissade is the Executive Chef/Owner of Black Apron Events, a unique Gourmet Tour bringing fourth an exhilarating, thrilling and innovative way to explore the finest taste of French Creole gourmet cuisine.

 

Rougui Diaof is one of the most respected chefs in France. Her accomplishments stem from many things including her constant reinvention of traditional dishes through her quest for new flavors.

 

Chef Andrea Drummer makes cannabis-infused meals for medical marijuana patients and recreational weed consumers.

Tanya Holland is the Executive Chef and Owner of Brown Sugar Kitchen in Oakland, CA. Holland is known for her inventive takes on modern soul food, as well as comfort classics.

Nadege Fleurimond creates life moments with lasting impressions through a culinary lens.

Scott Durrah co-owns Simply Pure in Denver, the first black-owned dispensary in the country.  As an Executive Chef, he’s owned and operated 5 restaurants.

 

by Tony O. Lawson

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In Good Conscience: Why I Left the Women of Color Healing Retreats in Costa Rica

18 mins read

Last year, I experienced a period of exhaustion, triggered by traumas from my past. It took a toll on me and left me in a state of seeming depression: bouts of crying and physical and mental fatigue. With the multiple projects and social responsibilities on my plate, I was overwhelmed. After a meltdown, I realized that what I was suffering from wasn’t depression but burn out, functioning on empty. I was in crisis mode and needed relaxation and extreme self care.

As I approached my fortieth birthday, I resolved and committed to entering the next decade of my life intentional about how to treat myself well: my body, my mental health, and, in general, overall my well-being.

Costa Rica is a gorgeous country. The natural landscape of the property where we were placed was gorgeous and scenic. The accommodations were two star at best and not comparable to the price we paid.

I was considering just visiting a gynecologist near me to make sure I was 100% healthy. However, I was recommended the Women of Color Healing Retreats (WOCHR) in Costa Rica by a close friend and it looked promising. The website had me thinking that it would be an experience that, I have been seeking, needing. The website promoted a healing retreat created specifically for Black women, that included workshops, rituals at the river and ocean, yoga, and vegan meals for eleven days. I immediately reserved my spot and paid the $3,333 without hesitation.

I was ready. Then, things took a slightly different turn.

Prior to leaving for WOCHR, I received hyper-aggressive emails from founder and self-identified healer and yogi, Satya X. The emails were meant to be informational. However, on multiple occasions, attendees were threatened with losing all of their money if they did not comply with responses in a timely manner, send back forms that were sent the week of/at the last minute or whatever else she instructed us. This, among many impressions, suggested that she was hosting a retreat in our (the attendees) favor by accepting our money.

Despite the off-putting nature of the electronic communication, I was determined to open myself up to the experience in hopes that I would benefit from the promises of renewed energy and well-being. The website advertised an assortment of workshops including: Inner Journey, Self-Care I and II, Exploring Colorism, Tap Into the Ancient Power of Crystals, Mindfulness Medicine, Race, Gender & Politics, Exploring Meditation Modalities, Herbalism, a Medicinal Plant Walk, and a Sankofa Workshop. All worth my $3333.

However, of all that was promised, we only received two workshops – one on colorism and another on self-care. Personally, I felt like the conversations were sophomoric and to be honest, did not leave my cohort with any new skills or strategies to improve our lives when we returned home. Additionally, a self-care retreat for Black women is no my place in my opinion, to have a colorism workshop. That topic is oftentimes triggering for many of us, no matter where we lie on the hue spectrum.

It became clear that the rest of this experience was going to become even more problematic when Satya told me that therapy was a part of white supremacy and that Black people needed to learn how to heal themselves without any outside help.

Lack of or under-programming aside, the accommodations were in stark contrast to what you would imagine a self-care retreat atmosphere should be. Environment is everything. While the landscape itself was gorgeous, we were in the interior of Costa Rica. If you’re a traveler, you know this meant that the property was occupied with every kind of living creature native to a rainforest imaginable, leaving some of us afraid to use the restrooms at night. Eleven women were split between two cabins where we shared a shower, sink, and toilet per cabin. The beds were hard and caused our backs to ache especially for the elders who were among us. Making matters worse: the massage or reiki that was promised on the website, was rescinded upon arrival. We were told that it was “canceled,” and that if we wanted the massage services we would have to pay an additional $55 to hire an outside practitioner.

Reminder, each of us had to pay $3,333.

One of the cabins that I shared with four other women.

The meals were sparse. One night I asked for a pinch of salt to season my chickpeas. Satya stood up and replied, “Salt is killing Black people.” Despite the hyperbolic nature of her statement, I was given a lime wedge to improve the taste, and went to sleep hungry. We were offered three meals a day, water, sometimes coconut water and unsweetened tea. We were told that if we desired snacks such as small mugs of smoothies or fried plantains, we would have to purchase it. Our $3333, as we found, did not come with comfort or sated appetites.

It was on this evening, Day 5, that two of the eleven women in our cohort decided to leave the retreat.

As I am an adamant supporter of Black enterprises, I tried to remain optimistic and show my support. By Day 6, I had all that I could take. My objective for being there was thwarted by the lack of organization and transparency of the entire setup. The morning of my last day at the retreat, I sat outside of my cabin trying to weigh the pros and cons of staying versus going. I decided to prioritize my comfort and peace of mind, and the only way that could happen was to leave. Two other women left with me.

Upon leaving WOCHR, I shared with my community on social media that I decided to leave the retreat and reclaim my time.

In response to that post, more than a dozen women relayed to me similar (or worse) experiences they or their friends had at WOCHR.

I knew that the “retreat” was meant to help improve something in the lives of each woman who ventured there but was potentially creating more harm—not to mention leaving us absent a hefty sum from our bank accounts. Two of the women were over sixty and their kids paid for them to come. Other women were healing from an assortment of traumas, PTSD and difficult situations. One of the women who left with me broke down and cried and told me that she felt worse than she did before coming to the retreat.

Creating and holding space for Black women to heal is not only sacred but it’s critical. While it was difficult to call out a Black-owned business, I feel even more responsible to the countless Black women who, in desperation, are seeking out spaces for healing. I could not, in good faith, encourage Black women or endorse vulnerable communities to go out of their way to participate in something that may cause even more harm, (re)opening wounds of old and new. WOCHR does not seem equipped to facilitate experiences of healing.

It’s painstakingly clear that Black women are in need of inexpensive self-care practices that we can employ at home. We are also in need rejuvenating experiences that will take us away from our every day routines. Personally, I’ve been actively involved with GirlTrek, the largest health movement for Black women in the U.S. GirlTrek encourages women to walk 30 minutes a day. This Labor Day, they’ll be organizing its annual Stress Protest in the mountains of Colorado. I encourage you to join us.

What other wellness practices and experiences have you personally benefited from? We’d love to promote those to our readers.

While I definitely did not get my money’s worth, the trip wasn’t a complete bust. I’m open to finding a Black-owned/run yoga studio or class in my city. As a happy carnivore, I’m open to trying vegan recipes (with proper seasoning) and a few of the Black-owned vegan eateries in Philadelphia. The camaraderie that was created by those of us who attended, was priceless. Moving forward, we have vowed, to continue to hold one another accountable for finding our joy, and indulging in wellness, one tiny radical self-care act a time.

Fortunately, I found a great therapist earlier this year. I couldn’t wait to vent about the retreat upon my return home. The session turned out to be fantastic (like Celie and Nettie, him and I shall never part…Makidada). Unlike what is being promoted at WOCHR, I know that therapy is essential to Black women’s healing, and most especially my own.

Namaste, NahI’mmago

– Shantrelle P. Lewis, Co-Founder of ShoppeBlack, Duly initiated Lucimi Sango Priest and African-centered curator and social entrepreneur. (IG @apshantology)

When life throws you catfish, always make poboys! My linesister Maya-Camille and I were a little too overjoyed to leave.

FOOTNOTES

Accommodations: Prior to even going to the retreat, we were told that we were to stay in a hostel the night that we arrived and the night before we departed Costa Rica. I chose to reserve a room in a hotel instead. Additionally, the 11 women in attendance were split up between two cabins.The beds were very rudimentary and hurt each of our backs. Most especially the women who were elders in the group. As soon as you sat on them, you sunk down into the planks. There wasn’t any seating on the property such as hammocks or lounge chairs, anything that would allow you to recline, only hard wooden benches. Also, since the plumbing system was operated by a septic tank, we were not allowed to flush toilet paper in the toilet, we had to throw it in a trash can instead. Signs were posted in our cabins saying that in Costa Rica, you can’t flush toilet paper in the toilet because the system can handle it. That is a lie. That property couldn’t handle paper in the system.

Maya-Camille, making the best of a situation that wasn’t ideal.

Vegan Meals: The meals were prepared by a chef based in Brooklyn with assistance from a Black Costa Rican woman who owns a restaurant and a couple other local women. For the most part the meals were surprisingly tasty, though sparse. Additionally, it would have wonderful to have been offered fruit and tropical or green juices along with our meals. Note: I would hire the chef for future events because some of the meals were tasty.

Ground Transportation: The week that we were scheduled to leave for the retreat, we were sent an invoice for $100 for ground transportation. We were told that if we did not send in the money within two days, we’d have to pay a late fee. This was an inconvenience for many people who had already budgeted their costs, and were not expecting to pay any additional fees.

Location: We were taken out to the interior of Costa Rica, in a location that was 3 hours and 44 minutes away from the beach in Puerto Viejo. The website actively advertised that we would be staying at a beach front property, a major draw for the attendees.

Costs: $3333 retreat price not including flights (which was supposed to include a healing massage or reiki treatment), $100 ground transportation $32 for two nights stay at a hostel (more if you paid for a hotel, in our case $300), snacks. NOTE: Initially, attendees were instructed to pay our balance via Paypal. When our last payments were due, we were told that Paypal would no longer be accepted and we would only be allowed to pay via an international wire transfer, which was more expensive for attendees and which ultimately meant that our payments would no longer be protected. The retreat is now offered at $4444.

Communication: We were sent a form that included the retreat’s “codes of conduct” to sign four days prior to our retreat start date. Additionally, the fine print included restrictions against wearing any clothes with labels, including any from small labels (in my case Black-owned companies). The Code of Conduct also included a gag order about negative commentary about the retreat. I found it odd that a healing and self-care retreat would need to request something like this four days in advance to arriving.

“The zero tolerance hate policy extends to negative postings on any form of public social networking, i.e. Facebook, Instagram, Snapchat, Twitter, etc. Should you post something before or after the retreat, affiliated with Women of Color Healing Retreats that the organizers feel does not align with the sisterhood and mission of Women of Color Healing Retreats, you will be asked to remove or edit the post.”

Karmic Yoga/Kitchen Duty: Almost forgot to mention, we had to wash dishes after our meals.

Yoga: I actually did enjoy the yoga classes. The instructor was kind, compassionate and very patient. Thanks to her classes, I’ll be trying out yoga with local Black instructors.

Featured Image: The morning I left the retreat.

The Carters “APES**T” challenges art history’s erasure of Black culture

8 mins read

The Carters blessed stans everywhere when they released their joint album, Everything Is Love, on June 16th. Rumors had been circulating about the prospect of a collaborative effort for a while, with neither Beyoncé or Jay-Z confirming or denying it.

Ultimately, the duo rolled out the album unexpectedly (which has become their preferred method of expression), surprising both the world and the London audience of their On The Run II tour.

The album is headed by the single, “APESHIT,” which comes with a 6-minute long music video that shows the Carters as we’ve seen them before — madly in love, wealthy, and happily putting their own spin on an ancient institution.

This time around, they took over the famous Louvre museum in Paris and made it their property in the Ricky Saiz-directed visual. Jay-Z specifically has used music and music videos to speak about his relationship with fine art before. In 2017’s “The Story of O.J,” he talks about buying million-dollar art, watching its value increase, and eventually giving it to his children.

It is clear that he understands art’s worth (from a financial and emotional standpoint) and views it as a medium that will make his family’s lives better, and “APESHIT” brought The Carters’ relationship with fine art to new heights.

The Carters’ video begins with a Black angel, which is a holy figure that older European art lacks. Archangels like Gabriel (the entity responsible for telling the Virgin Mary her destiny) and Michael (a fierce fighter who expelled Lucifer from heaven in the Bible) are often shown as white men.

The inclusion of a Black angel reminds the world that Black people have always had their own ideas of God and spirituality.

Sadly, Black religions have been demonized and are often persecuted, as though white people cannot stomach religious interpretations that don’t focus on them and their accounts. Beyoncé and Jay-Z’s chosen imagery challenges this white-centric ideology.

“APESHIT” was shot in and outside of the historic Louvre, which was once a palace and is now the largest museum in the world. By choosing a location that is directly linked to royalty and international art, the power couple crowned themselves as the worldwide king and queen of popular music.

Their proclamation of Blackness — which is unfiltered and not subdued in any way throughout “APESHIT” — in an often inaccessible space like the Louvre is a statement in itself.

the carters

Black art curators like Kimberly Drew (also known as @museummammy) are working to create a culture where “more marginalized people enter institutions, learn the rules, and shatter and restructure them,” as she tells Brooklyn Magazine. These barriers in the art world relate to how art is sometimes taught (and created) solely from a white perspective.

I studied art the entirety of my time in public school, and I don’t remember learning about non-white artists and non-white artistic styles. We weren’t taught art history from a Black/POC point of view, and definitely didn’t get many chances to see Black faces as artists or the focus of art.

“APESHIT” helps destroy the notion that fine art and its consumption is for white people.

Black people have long contributed to art, even though people have gone out of their way to ignore that fact (some people would actually rather credit the construction of the pyramids to aliens). The Carters are making — as well as honoring — history (in a world class location like the Louvre, no less) by crafting art and showing it to be, at its core, for Black people.

As far as how the Louvre’s exhibits intersect with the individual shots in the music video, art scholar Heidi Herrera wrote an excellent breakdown of the various symbols on Twitter.

Vox writer Constance Grady pointed out another detail on Twitter, explaining that the portrait spotlighted at the end of “APESHIT” is “Portrait of a Black Woman (Negress)” by Marie-Guillemine Benoist, “one of the only pre-20th [century] portraits of a black person in the Louvre that’s not explicitly a portrait of a slave.”
“Portrait of a Black Woman (Negress)” by Marie-Guillemine Benoist.
There is this gross assumption that one of the only ways we can discuss Black people in art and history is by portraying slavery. Many Black people are tired of this characterization, and it is stimulating to see a Black woman represented as something other than a slave.
Perhaps one of the most stunning moments in “APESHIT” comes at the 2:14 mark. We see two Black women wearing durags and sitting back to back underneath “Portrait of Madame Récamier” by Jacques-Louis David.

The presence of durags in museums is not foreign considering that Solange wore one to the 2018 Met Gala. But this time we get to see the headpiece as a part of the art itself.

Tidal

“APESHIT” is the ultimate “fuck you” to white supremacy. Beyoncé and Jay-Z are saying, “We made it, and we’re helping our people make it, too.” The video’s reference to police brutality (symbolized through the recreation of NFL players kneeling), Beyoncé’s decision to rap (a Black art form that is synonymous with rebellion), and the chance to turn the Louvre into a place to thrash make the video that much richer.

Black people have had to see their artistic backstory erased and reimagined by white people over and over again. But if the Carters have anything to do with it, that time is coming to an end. SALUD!

 

Source: Brooklyn White for Hello Giggles

Florida Black Owned Businesses Cherish history, Seek renewal

16 mins read

In the days of segregation, African-Americans owned a network of businesses on Gainesville’s south side to serve the needs of minority residents who were often barred from entering pharmacies, grocery stores and other establishments across the city that only served white residents.

“Before integration, there were certain services and other things you couldn’t avail yourself of downtown,” said Linda Hutchins, a retired teacher who graduated in 1966 from E.E. Butler High School, which served Gainesville’s black students before desegregation. She was the first African-American graduate of Gainesville College in June 1968.

But with integration, the landscape of black-owned businesses in Gainesville began to slowly change.

“What happened was people were able to use other facilities or other businesses for patronage and took advantage,” Hutchins said, adding that some black businesses struggled to compete in a market that widely expanded within a few years.

In the ensuing decades, residential neighborhoods across Gainesville experienced generational and some demographic turnover.

Florida Black Owned Businesses
Mike Holeman trims Michael Walton’s beard Friday, June 15, 2018 at Randolph’s Barber Shop on Athens Street. The barber shop is only one of a handful of black-owned businesses in Gainesville, but a new generation is looking to reverse the trend and go into business for themselves. – photo by Scott Rogers

Athens Street has been a historical hub of activity in the local black community “because of the concentration of residential housing on the south side,” said Rose Johnson, executive director of the Newtown Florist Club, a six-decades-old civil rights organization rooted in Gainesville’s African-American community.But now, “as housing patterns continue to change, families whose children grew up in this community now live in different parts of the county,” she added.

As for small businesses, there are barriers, such as affordable building space to purchase or lease, that have pushed some black-owned startups to other corners of Gainesville and Hall County, Johnson said, “which means keeping track of minority businesses is more difficult.” It can even be difficult to afford office supplies. This is why it is integral that there is such a wide price range of quality office supplies online to help business receive the necessary tools to enable business growth.

A growing black entrepreneurial class, however, is sparking talk of a re-emergent African-American business community in Gainesville and Hall County.

For example, members of the Newtown club have been working over the last year to identify and catalogue black-owned businesses through its Strengthening Community Capacity program.

They have discovered that a dozen or more black-owned businesses have been operating, and thriving, for two decades or more, including Monique’s salon, Walter Rucker Attorney at Law, Young’s Funeral Home, A-1 Beauty Supply, Norman Brothers Transportation and Roy Johnson & Son Landscaping.

Florida Black Owned Businesses
Carol J. Leverette checks a pan of macaroni and cheese in the oven Friday, June 15, 2018 at M & M Down Home Catering on Athens Street. The loss of black-owned businesses is a sore that older African-Americans have grown to lament in Gainesville, but a new generation is looking to rekindle this legacy. – photo by Scott Rogers

The club has documented over a 100 black-owned local businesses in all, including “caterers, contractors, cleaning services, insurance agents, money managers, published authors, restaurants owners, churches, nonprofits and independent product distributors,” Johnson said.The U.S. Census Bureau reports that businesses owned by African-Americans nationwide increased to 9.4 percent of U.S. companies in 2012 from 7.1 percent in 2007.

“Over the course of time, we have come to realize that this new emergence of black entrepreneurs creates an excellent opportunity for the establishment of a Black Chamber of Commerce once they are connected to each other,” Johnson said. “We look forward to publishing the Black Business and Community Resource Directory within the next few months.”

Legacy carried forth

For Gainesville’s African-Americans, the first half of the 20th century was spent in tight support of each other.

Textile production replaced cotton mills as the leading industry in Gainesville at the dawn of the 1900s, and from Newtown to New Holland to Chicopee, the city’s neighborhoods began to grow.

During World War II, Jesse Jewell introduced poultry processing to the area, forever altering the city’s image.

But all along, black-owned businesses met the needs of minorities cut off from many public services and private businesses.

“This energy has historically been concentrated along Athens Street, where black-owned businesses have thrived for decades, nurturing a richness in the community that meant more than finances,” Johnson said.

From the bank to the barber to the butcher to the baker, black residents tapped the resources available to them and made do.

Florida Black Owned Businesses
Davon Ivey cuts Master Chief Kevin Harris’s hair at Randolph’s Barber Shop on Athens Street Friday, June 15, 2018. The loss of black-owned businesses is a sore that older African-Americans have grown to lament in Gainesville, but a new generation is looking to rekindle this legacy. – photo by Scott Rogers

According to information from the Beulah Rucker Museum and Education Center in Gainesville, black-owned businesses in the early to latter half of the 1900s were numerous and robust. The museum itself is named after a pioneering black woman who founded The Industrial School in Gainesville in 1914 to “provide opportunities to the region’s black youth at a time when such opportunities were rare or non-existent.”Business owners included those like Walter Chamblee, who owned Chamblee Drug Store along the Athens Street corridor.

The impact black business owners had on the community was not relegated to just minority neighborhoods, however. According to the Rucker Museum, in the 1920s, “when the city of Gainesville was in dire financial need, George Stephens, an African-American businessman, loaned the city of Gainesville $10,000 to help in their financial crisis. Mr. Stephens was a successful tailor and owner of a dry cleaner.”

By the 1950s, a chamber of commerce representing minority businesses on Gainesville’s south side was reaching its peak, Hutchins said.

Even today, Athens Street remains an important corridor for black professionals, small business owners, patrons and residents of Gainesville’s south side.

But things change, too.

“I think you had more black-owned businesses back then because you had that need,” said Davon Ivey, a local barber who works at the shop on Athens Street, referring not just to the number of black-owned businesses in Gainesville during the 1940s, ’50s and ’60s, but also the impact and legacy they continue to have on the city. “It was more relevant because we had to have it.”

Martha Randolph has worked in a variety of trades for the past four decades, but the Gainesville resident points to opening her own hair salon in the mid-1980s as the turning point in her life.

In addition to now operating a catering service, Randolph also owns a commercial building on Athens Street, leasing space to other minority-owned businesses.

“It’s trying to come back,” she said of black entrepreneurship. “I’ve talked with a lot of people that want to start a business.”

Florida Black Owned Businesses
Randolph’s Barber Shop barber Davon Ivey cuts Kevin Harris’s hair Friday, June 15, 2018 at the Athens Street barber shop. The loss of black-owned businesses is a sore that older African-Americans have grown to lament in Gainesville, but a new generation is looking to rekindle this legacy. – photo by Scott Rogers

Randolph said anyone looking to start their own business needs a mentor, someone who can show them how to turn their passion into a financial success. And don’t expect to turn a profit for two to three years, she added. This new era of entrepreneurial activity in the black community looks promising to those African-Americans who have witnessed much history and change in Gainesville. An opportunity now awaits in a widespread fashion that simply didn’t exist generations ago. Even industries such as steel are not poisoned by prejudicial racism. Black business owners are now reaching the top of the capitalist tree, with business taking off, allowing black business owners to run companies with new industry-specific equipment like computers, workstations, and industrial pointing devices.

“There’s still work to be done,” Hutchins said. “But there is an awakening for the need to come in and establish one’s own.”

The future is born

Ivey came to a barber’s life quite naturally.

From a young age, “I felt like that’s what I wanted to do,” he said.

And so he did.

“If you got something you love to do,” he said, “don’t be afraid to pursue your dreams. Don’t be afraid to fail. And don’t allow pride to hold you back.”

That’s good advice for someone like Marcquel Woodard, 21, a 2014 Gainesville High graduate now studying business management at Fort Valley State University in Middle Georgia.

Woodard, who is living and working this summer in Gainesville, said he has several business ideas he’s working on while finishing his college degree.

They include such things as purchasing and supplying ATMs for various businesses, and investing in real estate to support affordable housing development.

Woodard believes it’s important that businesses give back to the communities who sustain them. It’s about words, action and money, he said.

“For sure, I want to stay active in the community I was raised in,” he said, but added he wants to “create black businesses … from Gainesville to Atlanta to cities across the United States.”

The challenges that await Woodard are many.

Some are like those faced by minority business owners before him.

Florida Black Owned Businesses
Michael Walton gets his hair cut and beard trimmed Friday, June 15, 2018 by Mike Holeman at Randolph’s Barber Shop on Athens Street. The loss of black-owned businesses is a sore that older African-Americans have grown to lament in Gainesville, but a new generation is looking to rekindle this legacy. – photo by Scott Rogers

“Young African-American adults have established businesses at an incredible pace,” Johnson said. “Unfortunately, the challenges that continue to hinder their efforts are the inability to secure bank loans, the lack of available, accessible resources like investment capital and other services to support movement from startup to sustainability.”

Others will mark a sign of the times, though they will be no less difficult to navigate.

“Personally, I think that one of the hardest things to do now as a young person, in general, is to stay focused,” Woodard said, adding that distractions are everywhere.

So how does he plan to stay on task so he can achieve his goals and dreams in business? By saving money and developing relationships. It may be useful for Woodard to use the services of an SEO company to help him on his path into the future. Whitehat is among the companies that provide this service. Whitehat noted how important it is that businesses take advantage of their services to ensure increased online traffic that will ultimately lead to greater exposure.

“The more I work toward it, the more likely it will come to fruition,” Woodard said.

Woodard is the kind of evidence that Johnson points to as a “new reality that the black business community has reformed itself.”

“This rebirth has given rise to a new identity, with dynamic entrepreneurs determined to remain self-employed regardless of the obstacles they face,” she added.

Source: Gainsville Times

Black Owned Gaming Lounge Received Racist Note. ‘CLOSE SHOP! WE DON’T SUPPORT BLACK BUSINESS OWNERS’

2 mins read

A Black owned gaming lounge in Indiana that has yet to open claimed they are being harassed after they received a racist note telling them to shut down their business.

“Close shop! We don’t support black business owners!” reads the sheet of paper business partners Tony Jones and Sami Ali said was shoved through a mail slot in the door of their new gaming lounge in Indianapolis.

“It doesn’t hurt. It doesn’t hurt us at all, the way it affects us, it motivates us to reach out and do what we had been doing to bring people together,” Jones told WTHR.

“I made a police report to document that people are doing hate crimes towards our business,” Ali told the local news station. “Thank god it was just a note. No broken windows or anything.”

Jones and Ali wanted to open up the gaming lounge so that gamers can meet and play games with another in the community. Jones told WXIN that they never would have thought they would feel discriminated against in the community.

“Because gamers don’t get out much,” Jones said. “We want this to be a place where they can get out and socialize. We can find out what we have in common instead of what separates us.”

Other businesses and neighbors have rallied around Jones and Ali, to show that their community does not stand for intolerance.

Speaking of gaming, my friend recently wanted to get the best broadband deal possible, so he decided to do some price comparison on Usave! It was fantastic! They saved him so much money! It is well worth a look!

Source:WTHR

 

Black Owned Tattoo Studios You Should Know

1 min read

For many of us, a tattoo is a way to express ourselves. It is a symbol of our love for certain symbols, people and things that we consider significant. Although there are a growing number of Black tattoo artists, there aren’t nearly as many Black owned tattoo studios.

We’ve listed a few from New York to South Africa and in between.

Black Owned Tattoo Studios

Tri Cities Tattoo (East Point, GA)

Think Before You Ink (Jamaica, NY)

Black Spade Tattoo (Las Vegas, NV)

Boneface Ink (Pensacola, FL ) 

Soweto Ink (Johannesburg, SA)

Aart Accent Tattoos & Body Piercing (New Orleans, LA)

Da Candy Shop (Arlington, TX )

Tapout Tattooing (Houston, TX)

Royal Flush Tattoos (Memphis, TN)

One Drop Ink Tattoo Parlour and Gallery (Nashville, TN)

Black Crystal Ink Tattoo (Johannesburg, SA)

 

Cover image credit @afrohemian


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15 Black Owned Restaurants in Chicago

3 mins read

The Windy City has always been able to hold its own against the best food cities in the country. We’ve listed a few of the Black Owned Restaurants in Chicago that make the city special.

Black Owned Restaurants in Chicago

Peach’s is a comfy American eatery with biscuits & other Southern staples for breakfast & lunch.

Batter & Berries serves creative pancakes, omelets & other breakfast eats plus sandwiches & lunch fare too.

Black Owned Restaurants in Chicago

5 Loaves  is a family owned and operated catering/restaurant that is known for its quaint feel and down-home cooking and hospitality.

Normans Bistro offers an American Creole Cuisine with a Brazilian Flair. Outstanding dessert menu and wine list are served in a casual, relaxed atmosphere.

Luella’s Southern Kitchen serves traditional Southern favorites in a simple storefront space with a BYOB policy.

Litehouse Whole Food Grill was opened with the hope of bringing healthy fast food to his community in the most wholesome way.

Sweet Maple Café offers country-style comfort food including all-day breakfasts & hearty lunches served in a homey space.

Ja’ Grill offers curries, jerks & other Jamaican specialties in an upscale-casual space with a lounge & weekend DJs.

Ain’t She Sweet Café is a casual, cozy eatery offering counter-serve sandwiches, smoothies & house-baked desserts.

Original Soul Vegetarian offers a one of a kind culinary experience in innovative vegan cuisine and a unique take on vegetarian fare that is big on taste without compromising health.

Pearl’s Place offers a unique experience, combining delicious home-style foods with the service and attention of a fine-dining restaurant.

Gorée Cuisine – Concentrates on Senegalese food. A West African cuisine influenced by North African, French, and Portuguese cuisine and derives from the nation’s many ethnic groups, the largest being the Wolof.

Turkey Chop is an upbeat, bright grill offering a turkey-centric menu of Italian, Mexican, Asian & Southern dishes.

Currency Café –  is a neighborhood cafe featuring cuisine that embodies a modern mix of Mexican spice, American nostalgia, and Southern soul.

Simply Soups and Salads keeps it simple with delicious soups, salads and sandwiches. Seriously, they have 17 sandwich choices on the menu.

-Oluremi Lawson

Black Owned Restaurants in New Orleans

3 mins read

New Orleans is known for everything from the food and music to the rich history and cultural traditions. Because of this we’ve decided to shine a spotlight on some black owned restaurants in New Orleans.

Black Owned Restaurants in New Orleans

Dooky Chase Restaurant opened its doors for business in 1941. Here, legendary Creole chef Leah Chase serves down-home staples in a vibrant, art-filled space.

Lil’ Dizzy’s Cafe is a no-frills joint for soul-food breakfasts & lunches plus a buffet option & dinners some nights.

The Praline Connection is a plain-&-simple restaurant serving down-home Southern dishes & signature pralines for dessert.

Neyow’s is an informal establishment supplying Creole & other Southern-inspired dishes & cocktails.

Ray’s On The Ave is a Creole Soul Food Restaurant and Music Venue. Close to downtown in the historic Treme Neighborhood.

Ma Momma’s House of Cornbread, Chicken, and Waffles is the place where you can enjoy the quintessential food experience that exemplifies New Orleans Creole Cuisine.

Sassafras Creole Kitchen serves an array of traditional Cajun-Creole dishes in a convivial atmosphere.

14 Parishes is a family-run Central City joint that dishes up homeland classics like beef patties and jerk chicken paired with sides like sweet plantains and cornbread.

Black Owned Restaurants in New Orleans

Willie Mae’s is a family-owned spot since 1957, famous for fried chicken & other soul food in a humble setting.

Loretta’s Authentic Pralines has been in business for over 35 years. Its a corner sweets shop making local treats like pralines, pies, cookies & king cake.

Meal from the Heart Cafe is a major tourist destination. Their signature is on the entire menu, but their crab cakes and gumbo are renown.

Compère Lapin is a sophisticated eatery serving Caribbean- and European-accented takes on New Orleans flavors.

Cafe Sbisa , established in 1899, is the third oldest fine-dining establishment in the French Quarter. They are proud to offer the highest quality French-Creole cuisine in a welcoming, historical setting.

Pressed Cafe is a sandwich shop, selling panini style sandwiches with soups and salads.

Sweet Soul-food is a vegan restaurant that offers delectable dishes at budget-friendly prices.

Cafe Abyssinia is a vegetarian platters & other traditional Ethiopian dishes offered in a cozy, colorful eatery.

 

– Oluremi Lawson

Black Owned Lingerie Businesses You Should Know

1 min read

As Victoria’s Secret’s monopoly on the $12 billion U.S. lingerie market dwindles year-over-year, several Black owned lingerie businesses have entered the playing field.

They’re offering new kinds of inclusive styles and sizes that cater to the underrepresented consumer.

Black Owned Lingerie Businesses

Anya Lust

black owned lingerie

Beautifully Undressed

Un.d.Naé 

Cherry Blossom Intimates

Nude Barre

Nubian Skin

dBleudazzled

 

-Tony O. Lawson


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Kanye West is Bipolar: An Examination of How an Artist Processes a Mental Health Condition

9 mins read

Ye is a very strange little album. Half acknowledgment of the broken, manic depressive, narcissism that is Kanye West’s psyche and half dedication to the love he seems to feel for his wife, Kim Kardashian West, and their children, particularly their daughters.

In an untidy package, this collection of songs is wrapped up in the strangling bow of bipolarism, a mental disorder West was diagnosed with at age 39.

Here’s the thing. Somebody, who is not Kanye West, yet who is bipolar, or living within the mental confines of some other un/diagnosed manic-depressive illness, will listen to Ye.

That person will fully identify with the admission of abusive behavior to -self and to others, the type of behavior that has deadly consequences. Without speculating too much about the pain that led to the recent tragic suicides of Kate Space and Anthony Bourdain, there is a real mental health component at play here that is pushing people to the max.

We urge people to be transparent about their pain in hopes that it will prevent a suicide or murder. And as tragic or perplexing as it is, someone will understand how relatable Kanye’s level of transparency is and, perhaps, think, “I’m not the only one who feels this way.”

That person will see that it’s a struggle to remain in this destructive way of existing, but what conclusions they draw after that epiphany are the real question. Will they actually seek out psychological therapy? Will they actually call a suicide prevention hotline? We can only surmise. And that is the reason why you might find value in this eighth studio album by Kanye West.

There’s a certain logic that a person struggling on the edge of the unthinkable may actually hear how Kanye is processing his own violent and hurtful emotions (the kind that can likely lead to violent and hurtful actions against loved ones or -self).

kanye west

Then, after vibing with how deeply dark his drama and dilemmas are, may themselves decide to seek out help or support in their own struggle. The likelihood of that happening is entirely debatable. However, this is the only value I find in the album Ye. Because, Kanye himself, is too far gone for my personal sensibilities, and a whole lot of others, for that matter.

He’s gone so far off the deep end that I’m not even sure who his core audience is anymore. He’s pissed off Black folks, many of whom feel he represents the worst parts of misogynoir and arrogant ignorance. He’s disappointed hip hop fans across the board.

His comments about slavery being a choice for the enslaved Blacks, and the decisions he made to exploit the now infamous photo of Whitney Houston’s drug-strewn bathroom for Pusha T’s most recent album cover are cross-the-line crazy to most who once supported him.

And despite the red hat, I can’t imagine that any MAGA supporters are really checking for Yeezy in actuality. Like, really, he’s become the headline news troll that raises your blood pressure before you even know what he’s done next, and would rather ignore altogether.

But I decided to give Ye a listen, regardless of what I feel personally about Kanye. And what I heard out the gate completely alarmed me for two reasons. For the person who truly internalizes the lyrics of an artist, and identifies with the message of a particular song, you wonder how certain lyrics influence behaviors of listeners.

Take, for instance, the opening lyrics of the album: “Today, I seriously thought about killing you. I contemplated premeditated murder. And I’ve thought about killing myself, and I love myself way more than I love you, so… Today, I thought about killing you… You’d only care enough to kill somebody you love.”

This is a far cry from “Jesus walk with me…” Kanye is very clear and deliberate with his word choice in this song. You understand what his intentions are in writing it, and you understand his intentions for recording it for public consumption.

Is he talking about Dr. Jan Adams, the doctor who was responsible for his mother’s death in 2007, or is he talking about his wife or some other family member with whom familial matters are complicated? Whoever it is, even in the vein of self-expression and free speech, those are some pretty heavy and revealing lyrics. The type that cause red flags if a loved one were to say them to you outright, for any reason.

The type of lyrics that indicate that you’d be a fool to not separate yourself from someone who felt this way about you. Period. Surprisingly enough, ‘Ye reveals later in the album that Kim Kardashian has made a conscious choice to remain loyal and stick with him despite this toxic, bipolar illness coupled with the embarrassments that have taken over his persona. Even though he willfully acknowledges that the gravest consequences of collateral damage are on the table, as far as he is concerned, she won’t leave him.

And that’s the alarming part. The poet Maya Angelou is noted for saying, “When someone shows you who they are, believe them the first time.” Over these last few years, Kanye West continues to show us, for better or for worse, who he is, and we’re finally starting to believe it. And he’s taking that “for worse” clause to the max.

Yet, he’s managed to put out a twenty-three minute album with themes of questionable accountability, enabling toxic relationships, embracing fatherhood and wanting to protect daughters post toxic-masculinity-disorder, thoughts of homicide/suicide, and medicating it all away.

After listening, if I wasn’t convinced before now, I truly believe that Kanye should be recognized as an individual struggling with a clinical mental disorder that I hope is being treated regularly by a team of mental health professionals. Otherwise, he becomes an actual threat to the people in his life, and to himself.

What happens after we all come to grips with that, I don’t know. But my prayer is that the person listening to Ye on the wrong day, when the wrong set of circumstances trigger the same type of emotions that are on this album, gets help instead of pulling the trigger.

(COVER PHOTO ILLUSTRATION BY THE DAILY BEAST)

 

– Contributed by Mai Perkins

Mai Perkins, aka FlyMai, is Cali girl in a Bed Stuy world with global bon vivant flair and the passport stamps to prove it. She currently works in Edtech, and is the author of several blogs including Uberlicious.nyc and MaiOnTheMove.com and is a columnist for the music publication Pop-Mag.com.

With an MFA in Creative Writing from Sarah Lawrence College and an MA in International Affairs from The New School Milano, she reps her beloved alma mater Howard University every chance she gets. As a poet and a creative non-fiction writer, she looks forward to soon publishing her first manuscript, The Walking Nerve-Ending.

Insta: @flymai16

Twitter: @flymai on Twitter

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